I had a great chat with two of my lovely fellow authors at the Red Sparrow Press, Kim Vertue and Zel Cariad, about our favourite books and what has inspired our latest stories. We talk about the titles we have loved since childhood as well as some more grown-up ones.
You can read the full interview at The Scrawl by clicking on the link at the end of this post, but here are my bits about children's books I have enjoyed and still remember fondly, and a contribution from Zel about the co-writing process...
Scrawl: What was the first book you can remember reading that really absorbed you and carried you off elsewhere?
Remy: That would be Elephant Adventure by Willard Price. I can remember sitting in school, during a reading class and I was at the back reading a book of my choice. It was the first time that the words I was reading disappeared and I started seeing what I was reading instead. I was in the jungle and then I heard the teacher’s voice calling my name, because it was my turn to go the front of class to do the reading test. It was like being pulled out from a dream. That’s when I first had an inkling of the magic of good story-writing. I then devoured the whole Adventure series over the next few years, in the right order, some of them I read more than once. I named my first goldfish Hal and Roger after the Hunt brothers in the books.
Before that, I had the Paddington books read to me and they were great. My brother used to finish reading one and we would go straight round the library for the next.
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| Three of my childhood friends... can you remember yours? |
Scrawl: Do you have a favourite book, perhaps one that you have returned to more than once over the years?
Remy: I have a few favourites! Watership Down – I read that about three times a year as I was growing up – definitely more than a dozen times. I could speak fluent lapine and I used to play bob-stones with my pet rabbit. Recently, I read it to my daughter, twice, so far. I think it is the best Fantasy story ever written, and an inspiration to any writer of imaginative fiction.
When I was around seven or eight, my brother read Jonathan Livingston Seagull to me in one sitting, and it affected me profoundly. It is a book I returned to later and re-read many times as a college student. I use to buy extra copies to loan out or give to friends. It’s about the nature of reality, what it means to be free and transcending the bounds of physical limitations through imagination. I read it to my father during his final days, when he was in hospital… just before he transcended his physical limitations.
My brother also read the The Flies in the Market Place to me, from Thus Spoke Zarathustra, when I was very young - he didn’t mind challenging me and my little mind at all – and Nietsche has been a friend to me ever since. I have read most of his key works and they took me on a path right back to William Blake!
Songs of Innocence and Experience, I have already written a piece about why William Blake and this book are very important to me. (I'll re-post that on this blog soon…)
Scrawl: You have recently ventured into co-written territories… What was the co-writing process like for This?
Zel: It was fun because I basically got to listen to it as it developed and say when I thought things didn’t work or if an idea needed improving, but that was very rare, because it was written well. Generally, we just chatted about story ideas on dog-walks and took a lot of inspiration from our surroundings, mountains, woods and lakes… I came up with a few random bits, I remember describing the attack of the snaky brambles. Oh, and Lucky too, who I think is a really important main character.
Remy: Zel is my resident expert of all things fairy and dragon-related. Her main roles were creative consultant and first reader. Basically we discussed ideas on walks, and then I wrote chunks and did test readings, when Zel would let me know if it sounded alright and if it was believable enough… if something needed to be explained more clearly, or if I had over-egged anything. She also ensured I described characters and places in enough detail to paint the picture, but still left enough room for imagination. One thing she does really well is ask the right questions.
Read the whole interview with Zel, Kim and me HERE at The Scrawl webzine - be aware that Scrawl also talks to writers about books for older children and adults...
